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I've just been reading the news (click here or on the picture below) that Greg Ham of Men at Work has died; possibly by suicide.



 

Suicide or not, Ham was apparently depressed and emotionally and financially ruined by a copyright dispute over the 'flute riff' in their 80s hit Down Under that was a phrase from 'Kookaburra sits in an old gum tree' written more than 75 years ago for a Girl Guides competition by Marion Sinclair; who died in 1988.

Everyone with kids is familiar with this musical phrase.  It is as Australian as the first phrase in Waltzing Matilda (that he should have used instead).

This cause for depression is close to home as my father's death was certainly accelerated by a patent dispute.

From a pure market perspective intellectual property protection is often justified as a way of making trade secrets public but what is the market benefit in copyright; will artists and authors keep their work secret without it? Why should the public continue to pay for a lifetime, particularly after an artist/author is long dead?

Obviously I generally support the protection of intellectual property as an incentive for R&D and creativity but with some caveats. In particular I think that patents, like copyright, should be unexamined and consequently free; but once published on line; in a journal; or other public place; defensible in court. 

Because of the sheer volume of patents registered, acceptance by an examiner is no longer prima face evidence of patent validity; as my father discovered to his very high cost.  If there is a dispute it needs to go to court in any case.

On the other hand I think copyright is overprotected and should be pulled back to the same rules as patents - 20 years from first publishing. 

At one time both patents and copyright protection were limited to 16 years.  Of course I accept that there are too many vested interests, and too much money involved trading in copyright created by artists who seldom benefit, to go back to 16 years; particularly as it requires international agreement.

At least the Internet is dealing with excessive copyright protection in a different way.  A subject for future discussion...

 


 

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Travel

Berlin

 

 

 

I'm a bit daunted writing about Berlin.  

Somehow I'm happy to put down a couple of paragraphs about many other cities and towns I've visited but there are some that seem too complicated for a quick 'off the cuff' summary.  Sydney of course, my present home town, and past home towns like New York and London.  I know just too much about them for a glib first impression.

Although I've never lived there I've visited Berlin on several occasions for periods of up to a couple of weeks.  I also have family there and have been introduced to their circle of friends.

So I decided that I can't really sum Berlin up, any more that I can sum up London or New York, so instead I should pick some aspects of uniqueness to highlight. 

Read more: Berlin

Fiction, Recollections & News

Easter

 

 

 

Easter /'eestuh/. noun

  1. an annual Christian festival in commemoration of the resurrection of Jesus Christ, observed on the first Sunday after the full moon that occurs on or next after 21 March (the vernal equinox)

[Middle English ester, Old English eastre, originally, name of goddess; distantly related to Latin aurora dawn, Greek eos; related to east]

Macquarie Dictionary

 


I'm not very good with anniversaries so Easter might take me by surprise, were it not for the Moon - waxing gibbous last night.  Easter inconveniently moves about with the Moon, unlike Christmas.  And like Christmas, retailers give us plenty of advanced warning. For many weeks the chocolate bilbies have been back in the supermarket - along with the more traditional eggs and rabbits. 

Read more: Easter

Opinions and Philosophy

Carbon Capture and Storage (original)

(Carbon Sequestration)

 

 

 


Carbon Sequestration Source: Wikimedia Commons

 

At the present state of technological development in NSW we have few (perhaps no) alternatives to burning coal.  But there is a fundamental issue with the proposed underground sequestration of carbon dioxide (CO2) as a means of reducing the impact of coal burning on the atmosphere. This is the same issue that plagues the whole current energy debate.  It is the issue of scale. 

Disposal of liquid CO2: underground; below the seabed; in depleted oil or gas reservoirs; or in deep saline aquifers is technically possible and is already practiced in some oil fields to improve oil extraction.  But the scale required for meaningful sequestration of coal sourced carbon dioxide is an enormous engineering and environmental challenge of quite a different magnitude. 

It is one thing to land a man on the Moon; it is another to relocate the Great Pyramid (of Cheops) there.

Read more: Carbon Capture and Storage (original)

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